fundamental bass造句

• fundamental bass is borrowed from the sixth degree in minor, raised a semitone producing a stack of minor thirds.
• The current system used today to study and analyze tonal music comes about initially from the work and writings of Rameau s fundamental bass.
• In general, very loud, low-register passages are played with little or no vibrato, as the main goal with low pitches is to provide a clear fundamental bass for the string section.
• It may be noted in passing that the expression " Fundamental bass " is somewhat improper in English, and is used here as a literal translation of the French " basse fondamentale ".
• In 1722 Rameau first proposed the concept that 9th and 11th chords are built from seventh chords by ( the composer ) placing a " supposed " bass one or two thirds below the fundamental bass or actual root of the chord.
• Sechter's ideas are derived from Jean-Philippe Rameau's theories of the fundamental bass, always diatonic even when the surface is highly chromatic; music theory historians strongly associate Sechter with the Viennese conception of fundamental bass theory.
• Sechter's ideas are derived from Jean-Philippe Rameau's theories of the fundamental bass, always diatonic even when the surface is highly chromatic; music theory historians strongly associate Sechter with the Viennese conception of fundamental bass theory.
• Carl Christian M黮ler ( 18311914 ) compiled and adapted Sechter's " Die richtige Folge der Grundharmonien " as " The Correct Order of Fundamental Harmonies : A Treatise on Fundamental Basses, and their Inversions and Substitutes " ( Wm.
• With the theoretical chord F A C E G B the fundamental bass would be considered C, while the supposed bass would be F . Thus the notes F and A are added " below " a seventh chord on C, C E G B, triadically ( in thirds ).
• This is the next largest viol after the bass viol, usually with 6 strings, and it can be tuned in A or G . It can play lines at either 8'or 16'pitch, and there is a tremendous amount of music for it as a solo and chamber instrument ( at 8'), as the bass member of the viol consort ( at 8'), playing basso continuo basslines ( usually at 8') and functioning as a double bass instrument in large ensembles ( at 16'), playing the deepest fundamental bass pitches in the music.